Glory, performed by Shay Kuebler’s company Radical System Art, hosted by DanceWorks at the Harbourfront Centre was a multi-media pleasure to take part in. The performance incorporated film in an interesting interactive manner which emphasized the longevity of the project: the dancers on stage were mirroring or taking part in actions played out, by themselves, […]
There are times when it can be refreshing to step away from the theatrical realm and explore other forms of artistic expression. It’s Not Yet Midnight has no story, little cohesion and sometimes has too much going on at the same time. Be that as it may, it was one of the most outstanding performances I […]
When the curtain rises, the stage is a blur of muted greys, of bland beiges. Bodies trundle to and fro with shuffling urgency to a discordant jumble of notes – the soundtrack as dissonant and buzzing as the crowd itself. The monotony of city life and the stark existence of the working class person’s crushing […]
Toronto Fringe’s winter mini-fest Next Stage is in a tricky spot. It plays host to the first productions of every year in Toronto theatre; the audience full of hope and anticipation and ready to have the bar set for the year to come. Curated and titled as it is, it’s not hard to expect something […]
“Enter the space with brilliance, seeing every molecule floating…” so starts the beginning of each of three poems, written by Yvonne Ng to her dancers, providing each a score and map with which to develop a solo in their own movement voice. The three solos were then superimposed onto each other, encouraging the dancers into […]
Bill Coleman and Gordon Monahan’s collaboratively conceived and performed Dollhouse played out like a Rube Goldberg machine, albeit one that wrought destruction on both the man and the set within minutes of the shows start time. The elaborately complex set which lay bare the accoutrements of the highly technical show, as well as Monahan’s interaction […]
Theatre Parallax’s KATA, could be qualified as a modern dance version of a psychological thriller. The piece elicits strong feelings, though they are mostly of apprehension, revulsion, awe, and fear. In regards that the goal of the show was to drive these feelings out of the audience, it was a resounding success. The programme and press […]
For those in the contemporary circus scene, The 7 Fingers company (or Les 7 Doigts de le Main) hardly needs introduction. This modern Montreal-based company never lets an audience down, and has continued this trend with Mirvish onstage in Toronto. The incredibly personal and thoughtful Cuisine & Confessions thrills from the beginning, with a cheeky […]