I stole the title of this article from one of the productions I’m reviewing within it. It’s a great title that hits perfectly on the unifying theme of the many plays I’ve seen this week. I hope they don’t mind my stealing it. Angels in America (That Theatre Company in association with Buddies in […]
A disclaimer accompanies Michael Healey’s latest political drama The Master Plan: the following is a work of fiction. A work of fiction about events not very long ago (2017-2020) in a land not very far away (a 10 minute drive from Crow’s Theatre where the play has been extended until October 8). A work of […]
Presented for just four days at the versatile and dance-friendly Crows Guloien Theatre, X (Dix) is a robust and balanced showcase for five dancers of varied stylistic backgrounds who come together as a cohesive ensemble each with their own moment in designer Simon Rossiter’s inventive, geometric light. Rossiter’s work pairs with Son Lux’s music to […]
On stage until December 18th in a well-cast and capable production at Crow’s Theatre, Lolita Chakrabarti’s Red Velvet tells a fictionalized account of the life of Ira Aldridge, one of the first Black actors to become a prominent Shakespeare performer. The production is a testament to Crow’s heads up approach to casting within the […]
A restorative 90 minute tour of the heart by way of a gruff Canadian poet, The Shape of Home is an original narrative concert born in isolation with roots in a familiar form. Joined by fellow multi-instrumentalist super-talents Beau Dixon and Raha Javanfar, it’s thrilling see perennial favourites Frank Cox-O’Connell and Hailey Gillis reunite for […]
The world of Crow’s Theatre’s Uncle Vanya is filled with glorious light courtesy of the ever-reliable Kimberly Purtell and set in a beautiful almost semi-immersive stage design by Julie Fox. It’s looks like a painting and it feels like a return to form for Crows- a starry ensemble anchored by Tom Rooney and directed by […]
Théâtre français de Toronto’s Singulières (co-presented by Crow’s Theatre) is the sort of show that can be either revelatory or evocatively familiar. If you’re a woman who’s spent a good portion of your life single, the true stories told in Maxime Beauregard-Martin’s thoughtful docu-play will likely ring true in that way that good true theatre […]
After two years of cancellations, a series of tentative theatre-ish offerings, and more than a few false starts, Toronto’s theatre companies are coming back. The journey towards a normal theatrical experience has taken place a little bit then seemingly all at once as my once-bare calendar suddenly doesn’t have a night off for weeks. Of […]