Due to a busy summer schedule, I was unable to attend much of the Midtown International Theatre Festival; however, I caught a few productions at the festival to kick off August. Puzzle the Will Hamlet has been reinterpreted in so many different ways that it is rare to come across a unique staging of this […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Like There’s No Tomorrow (A+) Like There’s No Tomorrow tells the story of the Northern Gateway Project, and it effect on people on First Nations’ communities in Northern British Columia. Based on interviews conducted by Architect Theatre in 2012 and 2013, Like There’s No […]
Click Here for our full coverage of the 2015 SummerWorks Festival. HYPER (A) Created and performed by Freye Björg Olafson, Hyper is a conceptual dance piece, incorporating projected videos, pictures, and even a little bit of 3-D. Different dance routines are choreographed to form a kind of narrative. We see her first in the flesh, wearing […]
Letter To Larry has the advantage of being a play that one cannot reasonably turn away from. It does this by its dialectics—past and present; stage and life; mania and depression—to the effect that the audience is engrossed and rarely numbed by the terrible sadness of it all. This balance is clearly a troublesome one […]
Click Here for our full coverage of the 2015 SummerWorks Festival. Upon the Fragile Shore (B+) Upon The Fragile Shore explores a number of human tragedies, from the Boston Marathon Bombing to the struggles in Syria. The strength the showis in its performers: a virtuosic, talented group that exemplify what can be done with movement, […]
I hate to sound like a stereotypical foreigner, but when you are culturally bred to worship only baseball and fútbol, it’s difficult to see what Americans love so much about their own definition of “football,” their famously (or infamously) intoxicating game of equal parts grace and violence. Watching Company One’s production of Colossal, by Andrew […]
Click Here for our full coverage of the 2015 SummerWorks Festival. That Syncing Feeling (A) This interactive event is really two pieces tied together by your cell phone. The first, “Tethered Together” is a celebration of communication and intimacy as participants are guided into an anonymous confessional conversation with another audience member via text message. […]
The Divine: A Play for Sarah Bernhardt was the last production I saw this year at the Shaw Festival (I’m reviewing out of order because this simply couldn’t wait). Before I saw this world premiere (four years in the making by Quebec playwright Michel Marc Bouchard and translator Linda Gaboriau), I was already considering the […]