Kelly Bedard

The Canadian Opera Company’s current season is an intriguing examination of a problem from two angles. On one hand, they’re presenting their Rigoletto, last seen not-so-long-ago in 2011. It’s an aesthetically sublime, beautifully performed production of an opera with problematic subject matter. There’s also The Abduction from the Seraglio, an aesthetically dull, awkwardly performed production […]

  Chelsea Dinsmore

Beginning and ending with the last performance of Vaslav Nijinsky, widely considered one of the greatest dancers of the twentieth century, choreographer John Neumeier’s “biography of the soul” is a contemporary ballet masterpiece. Nijinsky draws its audience in from the beginning. There is no reminder to turn off your cell phone, no dimming of the […]

  Kelly Bedard

The Curious Incident of the Dog in the Night-time (National Theatre presented by Mirvish Productions) I saw the UK’s National Theatre production of The Curious Incident of the Dog in the Night-Time when it played Broadway a few years ago with the incomparable Alex Sharp in the lead role of Christopher, an autistic teenager who […]

  Lisa McKeown

This dance-opera conceived and designed by co-directors Michael Greyeyes and Yvette Nolan and librettist Spy Denommé-Welch investigates the emotional history and contemporary cultural significance of Canada’s residential school system. The production itself is multi-faceted, combining orchestral music, a choir, opera, and modern dance. The story divides into three movements: in the first, the dancers enter […]

  Duncan Derry

The lights go down, the famous crashing motif begins and the curtain immediately flies up to reveal the chapel of a massive Roman church, into which an escaped prisoner appears, searching for refuge. Giacomo Puccini’s famously sensational work cuts through all the introductory formality (no overture!) and instead plunges us straight into the drama, sparing […]

  Kelly Bedard

There are a few refreshing intellectual, social, and theatrical ideas in Peter Hinton‘s new production of Harry Sommers’ 1967 Canadian history opera Louis Riel. The judgemental chorus seated high in a jury box of designer Michael Gianfrancesco’s perfectly measured creation, watching history happen with the cold detachment Riel’s dramatic and important story so often receives […]

  Kelly Bedard

Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series…

  Kelly Bedard

Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series.   Canadian Opera Company favourite (and newly minted Resident Artist) Jane Archibald is nominated for her second Outstanding Opera Performance award for her brilliantly sung and refreshingly strong, contemporary take on mistreated ingenue Ginevra in Handel’s Ariodante. We […]