For many years, the SummerWorks Festival was one of the two pillars of Toronto summer theatre. In July, the Fringe offers up two weeks of scrappy indie shows, their blind lottery system resulting in a wild range of quality and style. Then, in August: SummerWorks, a much more heavily curated festival that upped the polish […]
Click Here to read the rest of our reviews from Toronto Fringe 2023. In Passing (A-) Pure joy from start to finish, this ensemble tap performance from Rhythm & Sound features strong storytelling without going too far into narrative. The piece plays out in a series of vignettes that vary in tone and tell simple […]
During the COVID-19 lockdowns, to deal with isolation and lack of live theatre, we started gathering some of our favourite people every Tuesday & Saturday night to read scripts over Zoom. We read all 38 Shakespeare plays in six months. Then we kept going. We decided to create mini-seasons featuring highlights from the canons of […]
Though indie theatre is still scrambling to exist, Toronto’s mid-tier theatre scene finally feels well and truly alive again. This April was the first time since early 2020 that there were so many openings that critics had to pick and choose and I’m thrilled to report that I haven’t seen a bad thing all season. […]
Touting an 8+ year development process, countless participating artists, and the longest list of donors and grants I’ve ever heard, the Shaw Festival’s long-awaited presentation of Why Not Theatre’s Mahabharata premiered yesterday with a double header of its two parts: Karma and Dharma. Everything about the way Mahabharata is being presented feels like the […]
Alice in Wonderland in all of its iterations has primarily focused on Wonderland being a mental representation of Alice and her current situations. Whether it was from the original story about Alice embracing the nonsensical and learning to question, or the American McGee games that took Wonderland and Alice to more mature/darker realms of living […]
A still relatively new but already beloved Toronto holiday theatre tradition is Three Ships Collective/Soup Can Theatre’s site-specific Christmas Carol staged at the historic Campbell House Museum. As the production prepared to get back on its feet after a two-year pandemic hiatus, we caught up with director Sare Thorpe and playwright/assistant director Justin Haig […]
The expansion of the Shaw Festival season to include a duo of holiday shows every December has proven to be a truly winning innovation. The mini-season in the winter forms a welcome bridge between the festival’s regularly scheduled April-October season and makes the company feel like a full year player rather than a summer getaway. […]