Kymberley Feltham

With a disarming amount of charm, South African performance artist Steven Cohen brought his infamous Chandelier to the final week of the Canadian Stage Spotlight on South Africa festival. We hear him before we see him, the sound of glass pieces jingling together fills the theatre moments before he enters slowly and deliberating from the […]

  Kymberley Feltham

Hatched begins with an iconic image, Mamela Nyamza, topless and back to the audience in a long clothespin tutu, strong and statuesque, beautifully silhouetted by the artistry of lighting designer David Hlatshwayo. The dance begins with Nyamza couruing en point across the stage, her back still to the audience and still beautifully silhouetted, her clothes […]

  Kymberley Feltham

Written by Jane Taylor, directed by William Kentridge, and produced by the Handspring Puppet Theatre (War Horse), Ubu and the Truth Commission is a large scale production created by some of South Africa’s biggest names. Revived for the 2014 Grahamstown National Arts Festival in celebration of South Africa’s 20 years of democracy, Ubu and the […]

  Kymberley Feltham

On the cusp of second wave feminism and nearly a decade into Apartheid rule, Athol Fugard created a female character that would, against all odds, defy the roles society would try to force her into. Queeny, played by Masasa Mbangeni, holds the center of the action while the remaining characters orbit around her. James Ngcobo, […]

  Kymberley Feltham

A large paper scroll leads us up the stairs to the Berkeley Theatre. On the landing Mamela Nyamza is crouched on the floor, scrawling over and over “I must not have a big bum,” “I must not have a big bum”. As we continue up the stairs we can see how line-by-line the written form […]