For the past two years, I’ve been ranking every film I see- just the new releases, from January 1st to December 31st. The rankings are subjective, based entirely on how much I enjoyed and/or connected with or appreciated the film rather than on some sort of objective artistic criteria. Basically, this is a list of […]
Chris Abraham knows how to assemble a cast. The Seagull- his latest production for Crow’s Theatre, currently playing at the Berkeley- sports the director’s most perfectly constructed ensemble yet with some of Canada’s greatest actors each playing their strongest notes with a key lack of background noise to distract from Chekhov’s incisive story about art and […]
There are a few obvious trends in the stories that dominated (and continue to dominate as the awards roll in) the 2014 cinematic season. Sociopaths had a big year (Gone Girl, Nightcrawler), as did women who walked really far (Tracks, Wild) and people who found healing through music (Rudderless, Begin Again, Frank). There was also a […]
This was a strange year at the movies, full of psychopaths and scientists, musicians and war heroes (I swear there was a week when I saw 3 WWII films in a row). The year was peppered with the bittersweet final films made by late legends but it also marked the arrival of several bold, new […]
