A. R. Gurney’s The Cocktail Hour is a witty, boozy comedy that shines a light on the many flaws and subtle delights of one WASP-y household in Buffalo during the 1970s. This autobiographical play centers on John (James Waterston), a repressed, neurotic publisher moonlighting as a playwright. John visits his parents in their twilight years […]

  Fabiana Cabral

As America’s economy begins to slowly emerge from a painful recession, who isn’t in the mood for some lighthearted musical numbers about sailing into administrative success on waves of charisma, luck, and savvy fix-the-system know-how? Boston University on Broadway (BU on Broadway) provided some musical fun with their November production of How to Succeed in […]

Simple Machine’s production of The Turn of the Screw, adapted by Jeffrey Hatcher from the ghostly tale by Henry James and directed by M. Bevin O’Gara, is very well-acted and very well-executed. The perk of a play like Screw is that everything hinges on only two actors. The dreadful risk of such a play is […]

  Fabiana Cabral

“How will they stage a radio play?” I had no doubts that a creative theater company could very well stage a radio play, especially if the play in question was written by Angela Carter, the late British woman-of-many-letters, a novelist/journalist/dramatist/critic known for drinking deeply from the Gothic and the fantastic in literature, and infusing much […]

  Fabiana Cabral

The performance time listed on the company’s web page was the first detail to catch my eye. I have not seen many small theatre performances that list their end time along with their start time, much less list it accurately. But there it was: Saturday September 28th, 2013, 8:00 PM to 10:00 PM. This was […]

  Fabiana Cabral

The Footlight Club’s production of Tracy Letts’ August: Osage County, staged at Eliot Hall in Jamaica Plain, leans more heavily towards the exhausting, grinding facet of living through a dysfunctional family’s foibles than towards the uneasy, occasionally violent expression these foibles give way to. The audience is led through the darkly funny strangeness constantly burbling […]