Robert & Willie Reale’s musical adaptation of Arnold Lobel’s Frog & Toad books is so deliriously pleasant that I nearly got heatstroke sitting in the uncovered section of its outdoor audience at the Shaw Festival and barely noticed. My cheeks hurt from smiling and I cried so much that it’s better measured by time than […]
These are crazy times and we’ve all taken on a bunch of new projects as we socially isolate in order to help stop the spread of Covid-19. We’re donating where we can, we’re cleaning the pantry, we’re organizing the 2300+ title dvd library. We finished work on the Nominee Interview Series even though the live event for our […]
Is the Harry Potter theatrical sequel worth seeing? Our review of the latest from Mirvish Productions.
These are crazy times and we’ve all taken on a bunch of new projects as we socially isolate in order to help stop the spread of Covid-19. We’re donating where we can, we’re cleaning the pantry, we’re organizing the 2300+ title dvd library. We finished work on the Nominee Interview Series even though the live event for our […]
Ted Dykstra and Richard Greenblatt’s 2 Pianos 4 Hands is considered one of the great success stories of Canadian theatre. Spinning a tale about parallel adolescences tied together by classical piano training, this elegantly simple two-man production balances a double life as crowd-pleasing goofball act punctuated by well-played concertos and a darkly funny memory play […]
Théâtre français de Toronto’s Singulières (co-presented by Crow’s Theatre) is the sort of show that can be either revelatory or evocatively familiar. If you’re a woman who’s spent a good portion of your life single, the true stories told in Maxime Beauregard-Martin’s thoughtful docu-play will likely ring true in that way that good true theatre […]
The city’s longest running opera company offers a really lovely blend of young professional artist support and community-based involvement. Their latest production, Pietro Mascagni’s Cavalleria Rusticana (which ran June 2-5 for three performances only at the Harbourfront Centre’s Fleck Dance Theatre) perfectly illustrates that two-pronged approach to opera for everyone. It’s hard to explain […]
Justin Miller’s beautiful drag clown Pearle Harbour lives simultaneously in the past and the future, a wise fool with a sharp wit and a big beautiful heart that’s too often broken. In Distant Early Warning, her new dystopian solo show at Buddies in Bad Times Theatre, she’s alone and in love, totally helpless and […]