Harkening back to sci fi classics such as Forbidden Planet, the majority of Ex Machina is constituted of philosophical discussion and games of verbal chess. These discussions broach many thoughts on the nature of humanity, god/creation and the illusion of self in the digital era. Caleb (Domhnall Gleeson) is an employee at Bluebook who wins […]
About a year ago I read the Gillian Flynn book “Gone Girl.” Every year I try I to read a book that is going to be made into either a television series or film, I am a nerd who likes to compare source material, and see if the auteur “gets” the source material. Sometime it’s […]
So, it turns out there is a window of opportunity to make a sequel to a popular ‘R’ rated movie. Based on the abysmal performance of the latest Sin City, that window is a little less than 10 years. I’d like to tell you that, by being one of the few that held out hope […]
Before we announce the winners of the 2012 Cinema Awards, we’re proud to present our annual Nominee Interview Series. In honour of the Oscar Argo is about to win, we thought we’d celebrate the night by publishing our Exclusive Interview with one of its most intriguing stars. Scoot McNairy’s beautifully conflicted turn as trapped “houseguest” Joe […]
I wasn’t sure what to expect walking into Side Effects, Steven Soderbergh’s supposed last feature film. I went due to a never-ending love of Soderbergh, and a desire to see Rooney Mara outside of her mostly-naked, seriously angry Girl With a Dragon Tattoo context. Until the clearly marked SPOILER WARNING, I will try to avoid […]
I was torn about this movie. On one hand, some of the performances in it are career-making (in the case of Scoot McNairy) or career defining (when it comes to Brad Pitt, whose career is already made), or at least they should be considered thus. Both actors reach new heights with nuanced character portraits and […]
If you’re going to see Nicholas Jarecki’s high finance thriller, Arbitrage, make sure to bring an Economics major with you. For one, he or she could tell you what ‘arbitrage’ means and how it applies to the film, and, for two, they can help you follow the serpentine and occasionally muddled script. Unlike 2011’s Margin […]
While American politicians abjectly deride the Scandinavians for being ‘pinko commies’, Hollywood has been taking notice of their considerable cinematic talent, finding every opportunity to import some of their best films for American remakes. David Fincher’s The Girl with the Dragon Tattoo and Matt Reeves’ Let Me In are excellent examples, but no Scandinavian film […]