Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Ryerson grad Joe Pagnan’s Outstanding Set & Costume Design-nominated work on Obsidian Theatre’s arresting production of Venus’ Daughter at the Theatre Centre was some of the most visually impactful of the year, incorporating elements of the practical […]
“Master Harold” … and the Boys (co-produced by the Shaw Festival and Obsidian Theatre Company) was a heavy, wordy three-hander with a ton of weight falling onto the shoulders of Outstanding Supporting Actor nominee James Daly in only his second year at Shaw. As the naive “Master Harold”, James beautifully captured how an ugly society can make […]
On back-to-back nights in Toronto, I saw one of the best representations of what musical theatre can be, and one of the worst…
I hate plays with fake accents. Unless your name is Oliver Dennis (or you work at the Shaw Festival), your British accent is not as good as you think it is and I’d really rather you just not use it. And a British accent (usually a posh one, sometimes cockney) is the accent most Canadian […]
How We Are (Workshop Production) Written with complex, moving insight by Polly Phokeev and directed with sensitivity and detail by Mikaela Davies, How We Are explores the consequences of taking a friendship to the next level. A drunken night between two best friends (played by Sochi Fried and Virgilia Griffith, both brave, exposed and extraordinary) […]
Before we announce the winners of the 2014 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. A Toronto stage alum, Kevin Hanchard has been busy the last few years making his name in film and television. Now with a huge hit TV show under his belt (and heading into season three- keep […]
Before we announce the winners of the 2014 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. We can’t tell you much about The Mountaintop without ruining the glorious experience of seeing it firsthand but suffice it to say that the task that the ever insightful Best Director nominee Philip Akin took […]
