Welcome to the 2018 Nominee Interview Series. Every year between nomination announcements…
Recent Posts
Every season there are a few shows that diligent theatre-goers know not to miss. They come in various forms- remounts of proven hits, highly anticipated new works, sometimes a rarely produced text, or just a really well-cast classic- but they bring with them a sense of anticipation and a boatload of sky-high expectations. Right now […]
Jeanine Tesori’s diverse range of work continues to impress me. Whether it be the scores for the hugely successful Shrek or Thoroughly Modern Millie, the excruciatingly raw Fun Home, or the hilarious yet heart-breaking Caroline, or Change. I was recently lucky enough to see fantastic productions of the latter two in this impressive list, and […]
Enjoying its second run at the Arcola, Jack Gamble’s production is a stark portrayal of the family dynamics of a typical working class family at the start of the 20th century. Focussing on the strained relationship between Luther and Minnie during the early weeks of their marriage, D H Lawrence’s The Daughter-in-Law is all about […]
Friends, critics, mortal enemies and comrades in arms…
Gruesome Playground Injuries is all about variations on themes. Director Chris Bretecher writes that, in following the characters through their unlikely and unlucky journey, “we acknowledge topics of mental health, sexual consent, substance abuse, self harm, and risk taking behaviours”. This is far clearer in the literature than the text: the playbill explains the production’s […]
When the musical Hair opened 50 years ago, it made a real splash. A sexy, psychedelic, energetic show about young people seeking freedom and love at a time of huge political unrest. Unfortunately, Hart House’s production fails to transport you to that moment. Though littered with a number of good performances and cameos, the performance […]
1979 is a political thriller – but not like that. The (rise and) fall of one of Canada’s most forgotten and forgettable leaders sounds more like a mischievous improv prompt or DVR description for a History show than a recipe for gripping theatre – but it works. It’s easy to see why the production went […]