A few days before going to see Shakespeare BASH’d’s production of Cymbeline, an article title flashed before my eyes as I scrolled through my Facebook feed, “Can Shakespeare still surprise?” Coincidentally, the post had come from Shakespeare BASH’d’s Facebook page, and as I was just about to watch the show, I chose to bypass the […]
What do you get when you combine sharply written dialogue, deft direction and an all-star ensemble? Coal Mine Theatre’s production of Marjorie Prime. In 90 minutes, I was taken on a journey that challenged the way I perceived the world around me, my relationships and my ideals. For me, it was Nick Blais’ lighting design […]
There is something quite delightful about walking into a bar, grabbing a beverage and settling in to watch a show. If you are familiar with this feeling, odds are you have seen a few Shakespeare BASH’d shows in your day. Their take on A Midsummer Night’s Dream begins the way any good show should- with […]
Take a look at our full list of 2019 Fringe reviews HERE. I, Malvolio (B+) Justin Otto’s performance in I, Malvolio is powerful. If you can take anything away from this review, let it be that. Otto demands the audience’s attention from the moment they enter the room. There is an air of chaos about Otto’s […]
Take a look at our full list of 2019 Fringe reviews HERE Til Death: The Six Wives of Henry VIII (B) The first thing that comes to mind when I think of Til Death is how impressive Tara Travis’ stamina is. Seven characters. One actor. It’s a feat, that’s for sure. Travis jumps, rolls, moves across […]
We have all heard the story, seen the show, that centers on the phrase, “boy meets girl”. That is why it is so refreshing when a play like A Beautiful View, that offers a new narrative, is produced. A Beautiful View is sharply written and the team at Shotgun Juliet sink their teeth into this […]
After having some time to digest 1991, I don’t think it would be right to say I enjoyed it. Instead, I will say I was affected by it, moved by it and am haunted by it. 1991, is Cole Lewis’ brutally honest coming of age story. There are many intense subjects that this show deals […]
I have been thinking about AVO Collective’s 11:11 for the last couple of days. I have been thinking about the openness and fearlessness that Samson Bonkeabantu Brown demonstrates in both his writing and performance as part of Why Not Theatre’s 2019 RISER Project at the Theatre Centre. I have been thinking about how d’bi.young anitafrika deftly […]
The Resistance Continues. That’s the sub-title of The Second City’s latest run of their feminist sketch phenom She The People. And there are a lot of things to resist: those who are against vaccinating their children, men telling women what they can and can’t do, or double standards that women have to deal with. Carly Heffernan, […]
Looking at the programme before the start of The Musical Stage Co’s production of Brian Yorkie & Tom Kitt’s domestic rock drama Next To Normal, it’s hard to miss the design inspiration taken from The Brady Bunch’s opening title credits. But that familiar imagery sets up expectations Next to Normal is quick to knock down. The […]