Writer/director Andrew Kushnir’s latest self-referential verbatim project presents his signature style at its complex, emotional best. Docutheatre has a tendency to fall into reporterly coldness as the research-heavy genre often tells stories involving investigations and the dialogue is spoken exactly as originally uttered by the real life characters rather than translated through a playwright’s […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Ellie Moon’s work as a theatre creator to date has been located at the intersection of feminism and equity, and explored the ramifications of abuse, privilege, and trauma. Her Outstanding New Play-nominated What I Call Her—a […]
In the gloomy socio-political climate we live in, Come from Away offers beams of hope that even tragedy and despair can lead to long-lasting friendships and renewed faith. The show is delightfully foot-stomping from start to finish. Canadian duo Irene Sankoff and David Hein have created something equally original and insightful. Have your ever been […]
A theme you will find in my reviews of Luminato shows is that I tend to feel like the festival is not really for me. I have fairly conventional theatre taste and fairly passive political beliefs (at least among the liberal consensus of my community) so Luminato’s artsy, brazen, avant-garde vibe is really just not […]