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14 August 2019

SummerWorks, 2019

By // Theatre (Toronto)

805-4821 (A) “805-4821 is a trans coming out story made out of other stories: a dialogue from Shakespeare’s Hamlet, a half-remembered swim lesson, and an 80,000 word Facebook correspondence” This …

18 August 2018

SummerWorks ’18: Part VI

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews Café Sarajevo episode 1 (A+) A surprising diversion from the usual SummerWorks lineup, Café Sarajevo is a live SummerWorks …

18 August 2018

SummerWorks ’18: Part V

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews Third World (B+) & ZAYO (A) Movement and stories of obstacles overcome merge in these two fascinating, viscerally performed …

17 August 2018

SummerWorks ’18: Part IV

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews … And You’ll Never Believe What Happens Next (A) The sneaky dissonance of this latest storytelling show from Pressgang …

16 August 2018

SummerWorks ’18: Part III

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews fantasylover (A+) fantasylover was weird and wonderful. The characters presented onstage were so clear and defined, and had the …

15 August 2018

SummerWorks ’18: Part II

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews 4inXchange (A) Warning in advance, if you are not into heavy audience participation experiences, 4inXchange may be a bit …

13 August 2018

SummerWorks ’18: Part I

By // Theatre (Toronto)

Be sure to check out our Full List of SummerWorks Reviews Body So Fluorescent (A+) Desiree and Gary are close friends. Very close. Until one night in a club leads …

13 August 2018

SummerWorks, 2018

By // Theatre (Toronto)

August 9-19th, our writers reviewed nearly every show in Toronto’s annual SummerWorks Festival. The full list of shows with letter grades and links to our reviews is below. Check out …

31 January 2018

Nominee Interview Series: Justin Miller/Pearle Harbour

By // Theatre (Toronto)

Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When Pearle Harbour walked…

11 August 2017

SummerWorks ’17: Part VII

By // Theatre (Toronto)

Read All Our SummerWorks Reviews HERE Icône Pop (A) The scene for Icône Pop is set as the audience walks into the blackbox theatre at The Theatre Centre with singer Mykalle …

11 August 2017

SummerWorks ’17: Part VI

By // Theatre (Toronto)

Read All Our SummerWorks Reviews HERE The Only Good Indian (B+) It’s difficult to grade this solo show from Pandemic Theatre because half its runtime is just a “long table” …

10 August 2017

SummerWorks ’17: Part V

By // Theatre (Toronto)

Read All Our SummerWorks Reviews HERE Explosions for the 21st Century (A-) My favourite SummerWorks show this year, Christopher Ross-Ewart’s philosophical and practical lecture on sound design is both an …

08 August 2017

SummerWorks ’17: Part IV

By // Theatre (Toronto)

Read All Our SummerWorks Reviews HERE Pearle Harbour’s Chautaqua (A+) [Ed. Note: A+ is the highest grade we give but, just for the record, MM’s official submission was “A+++++++”] This is …

08 August 2017

SummerWorks ’17: Part III

By // Theatre (Toronto)

Read All Our SummerWorks Reviews HERE Erased: Billy and Bayard (A) Created and performed by the Queer Songbook Orchestra, featuring Andrew Broderick and Stephen Jackman-Torkoff, the show weaves together the …

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