Oslo’s very existence is remarkable. Staging a full-length work about the most incendiary issue in foreign policy is already a major diplomatic achievement. Turning that into an award-winning Broadway hit? The Nobel Peace Prize is awarded for less. It’s no surprise that playwright JT Rogers embraces that challenge, having already brought a theatrical perspective to […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When I reviewed The Shaw Festival’s stunning production of Middletown last summer, I finished by saying that “I’d love to see this one remounted for a Toronto run”. Well- Good News, Everybody!– Crow’s Theatre just announced […]
Toronto theatre is navigating tricky times by making great art this winter. It’s a boom of full-throttle theatre-making, reflected most acutely in midsized-to-large companies taking on the sort of challenging, headline-making contemporary work that brings people to the theatre and inspires them to come back. It’s not all great, but it is all ambitious and […]
I went back and forth on the title of this On Stage in TO roundup, the options being “small to big” and “best to worst” because both descriptions apply to the shows I’m about to discuss in the order in which I’m going to discuss them. Read into the pattern what you will- perhaps small, […]
Studio 180 is a great company that consistently produces interesting, well-executed work. It’s therefore extremely unfortunate that no one seems to see their shows. The new Theatre Centre is rarely full but there have been performances of NSFW where it’s been nearly empty and, if it weren’t for a stray mid-run Facebook post, I wouldn’t […]