Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    Sleeping, Tucked in the lonely Purple (B+) Conceived and choreographed by Yvonne Ng, this tender three-hander is a lovely inquiry into what we don’t hear when we stop listening. The choreography is simple but evocative, performed beautifully by a trio whose dance […]

  Kelly Bedard

The awkward reality of the moment is that right now, mere weeks (sometimes days) after many of Toronto’s mainstay artistic institutions finally reopened their doors, ’tis somehow once again not the season to be promoting live in-person experiences. It’s Christmas, we’re all vaccinated (you are vaccinated right? RIGHT?!), and it’s been forever since we’ve been […]

  Kelly Bedard

Our last night out reviewing theatre in 2020 was spent at Comedy Bar seeing six pieces at the Toronto Sketch Comedy Festival. The best of them was the incredible first solo effort from Anders Yates. Over the years, we’ve seen Yates perform excellent team sketch and improv, traditional scripted work, and even some stand-up comedy. […]

  Kelly Bedard

Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. One of my favourite productions out of the 2019 Toronto Fringe Festival was Gillian Bartolucci’s Outstanding Solo Performance-nominated one woman sketch show The Weight of it All. Beautifully constructed with a perfect blend of high-octane fun, clever […]

  Dom Harvey

Usually the premise for a comedy troupe is quaint, maybe a little quizzical. Dead Parents Society answers your first question right away and rejoices in how uncomfortable it makes you. Its members all lost a parent at a young age and combine to give a portrait of grief that’s darkly, uniquely comic and all the […]

  Dom Harvey

Award-winning comedian Ian McIntyre blends the relatable and the absurd in his new revue, The Rise and Fall of Dataman, running for two nights at The Bad Dog Theatre. In a series of sketches, directed by Kirsten Rasmussen, he recounts life as a 9-5 paper pusher with an exuberance and expressiveness that contrast sharply with […]

  Steve Fisher

Second City’s 82nd and current Mainstage revue, Walking On Bombshells, opens on a stage that’s a convincing mock-up of the dingy Osgoode subway station. It’s the backdrop for the show’s opening musical number, a ditty about the perils of subway travel entitled “Is It Warm or Is It Wet?”    That specificity is unusual for […]

  Mark Kreder

The Resistance Continues. That’s the sub-title of The Second City’s latest run of their feminist sketch phenom She The People. And there are a lot of things to resist: those who are against vaccinating their children, men telling women what they can and can’t do, or double standards that women have to deal with. Carly […]