The past few weeks in Toronto theatre featured a range of works that at their core all touched on similar themes despite their vast superficial differences. In tense, inflationary times, these four pieces examined how financial pressures can bring out the best and worst in all of us. Most explicit on this topic was […]
Despite the Assembly Theatre’s proscenium setup and the show’s relatively conservative (though definitely present, fair warning) use of audience participation, 13 Plays About ADHD All At the Same Time is an immersive experience. The first work in a long time from one of the city’s most interesting creative minds, 13 Plays is writer/director Alec Toller’s […]
Click Here to read the rest of our reviews from Toronto Fringe 2023. Fatal Charade (A) The best show I’ve reviewed so far this Fringe, this dark comedy about a criminal sentenced to death by theatre in Ancient Rome balances a compelling dramatic premise with bright humour and well-defined character arcs. Reflected in Leslie Rennie’s […]
A few days before going to see Shakespeare BASH’d’s production of Cymbeline, an article title flashed before my eyes as I scrolled through my Facebook feed, “Can Shakespeare still surprise?” Coincidentally, the post had come from Shakespeare BASH’d’s Facebook page, and as I was just about to watch the show, I chose to bypass the […]
Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Catherine Rainville is a multi-hyphenate artist whose work performing, directing, producing and designing for site-specific indie favourites Shakespeare Bash’d has never failed to thrill and surprise us. She’s nominated this year for Outstanding Supporting Performance […]
I think I have a new Christmas tradition. I’ve always known the story of A Christmas Carol, but it’s never been a big part of my life. It’s the one with the crotchety old man? Bill Murray was in the movie? In The Three Ships Collective production, however, there are no low blows, and it […]
Theatre company Shakespeare BASH’d “is an actor initiative that… produces Shakespeare’s plays in social settings”, “with simple staging, clear and sympathetic language, and an emphasis on the text and actors telling the story”. (This is all cribbed from their program.) They stage their work in pubs and bars, in the round, and have progressively gotten […]
Before we announce the winners of the 2018 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Producer/performer Lauren MacKinlay not only gave a nomination-worthy performance in local playwright Michael Ross Albert’s The Grass is Greenest at the Houston Astrodome at Freedom Factory Gallery as part of the Toronto Fringe’s site-specific programming, she […]