Oliver Simmonds

The opening monologue, performed off-stage and possibly prerecorded, brews the promise of a ‘neo-noir fever dream’ into a disgustingly tactical succession of phrase. Its programme says the show ‘changed from a fiction wrapped in a concert to a concert sprinkled with words.’ That’s true. There are now only two worded segments among a relentless soundscape, […]

  Caroline Schurman-Grenier

The absurd can be the best escape from reality. People laugh not knowing why but it doesn’t really matter in the end because everyone is entertained. This is precisely how audiences feel as they enjoy How To Win Against History at the Ovalhouse Theatre. As people walk in, there is a large string of lights […]

  Caroline Schurman-Grenier

An experience like no other is taking place at the Ovalhouse Theatre. Invisible Treasure has no script, no actors and no plot. Dan Barnard and Rachel Briscoe’s creation focuses on the use of technology. It is an interactive “performance” of sorts where the spectators make up the story. It brings together complete strangers in an […]