Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Playwright Steven Elliott Jackson’s Outstanding New Work-nominated play The Seat Next to the King was the big runaway hit of the 2017 Toronto Fringe Festival. The intimate two-hander about two men navigating an illegal […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Stephen Joffe has the sort of unique intense energy that, when casting the role of unpredictable cousin Ziggy in the Storefront’s site-specific epic Tough Jews, both the writer and director had the same “it […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. It could be argued that no single playwright had a bigger impact on the 2017 Toronto indie theatre season than Michael Ross Albert. He has two plays nominated for Outstanding Production and together they […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. When you see upwards of 200 plays a year, it feels like a godsend when a company comes along that you can rely on to always make good theatre. That’s Unit 102 Actor’s Company […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. As business-minded (and brilliantly besuited) Ben, Blue Bigwood-Mallin quietly anchored the rambunctious Outstanding Ensemble-nominated cast of the Storefront Theatre’s site-specific indie hit Tough Jews. Though he claims that he doesn’t “generally come across as […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. The wonderful Anne van Leeuwen is a force in Toronto indie theatre. She’s got this crazy indomitable spirit that manifests itself in pure ambition and prolific output as a director, a performer, an artistic […]
Toronto theatre is navigating tricky times by making great art this winter. It’s a boom of full-throttle theatre-making, reflected most acutely in midsized-to-large companies taking on the sort of challenging, headline-making contemporary work that brings people to the theatre and inspires them to come back. It’s not all great, but it is all ambitious and […]
