Laura Carlyon

Little Potatoes is an extraordinary, heart-warming tale of two women residing in China who lose a child in two very different ways. It explores China’s ‘one child’ policy, and how it impacted the lives of many, particularly women, where conforming to social rules highlighted the real fragility of life. The sole two characters, who adopt […]

  Adam Mcdonnell

A warm and engaging revival of a classic musical, Trevor Nunn’s Fiddler on the Roof has heaps of heart as it tells this tale of family, community and solidarity. Set amongst a small Jewish settlement in Imperial Russia during the early 1900s, Fiddler on the Roof’s themes are surprisingly still relevant. The story carefully balances […]

  Dan Willis

Call Me Vicky, the debut play from sisters Nicola and Stacey Bland is based on an entirely true story and is an absorbing, well-written and thought-provoking production. Set in the 1980’s, the play tells the story of Martin, played by the talented Matt Greenwood, who is transitioning from male to female, and the struggle of […]

  Adam Mcdonnell

Jeanine Tesori’s diverse range of work continues to impress me. Whether it be the scores for the hugely successful Shrek or Thoroughly Modern Millie, the excruciatingly raw Fun Home, or the hilarious yet heart-breaking Caroline, or Change. I was recently lucky enough to see fantastic productions of the latter two in this impressive list, and […]

  Adam Mcdonnell

Enjoying its second run at the Arcola, Jack Gamble’s production is a stark portrayal of the family dynamics of a typical working class family at the start of the 20th century. Focussing on the strained relationship between Luther and Minnie during the early weeks of their marriage, D H Lawrence’s The Daughter-in-Law is all about […]

  Adam Mcdonnell

Bright, wondrous, and bubbly, Seussical, is an odd little show, but one that is filled with positivity and happiness. This enthusiastic group of performers throw everything at the production, and I’d challenge anyone to leave the theatre without a massive grin on their face. Littered with playful and uplifting songs, the musical mixes a number […]

  Adam Mcdonnell

With new theatre, it is sometimes tricky to differentiate between what comes from the original writing and from the production you are viewing. After all, such an early incarnation of a musical will have very few, if any, comparisons by which the production itself can be directly judged. With Hadestown, the two are even more […]

  Dan Willis

After a run at the Edinburgh Fringe, Maddie Rice brings her comedic one woman show Pickle Jar, directed and developed by Katie Pesskin, to the Soho Theatre in London and delivers a skillful and hilarious performance. Rice successfully establishes the world of her main character, known only as Miss, as well as cleverly portraying all […]