Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Lauren Horejda is one of the only artists in Canada I have yet to see give a bad performance. I’ve yet to see her even give a mediocre performance or a simply fine one. Every time I’ve seen […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. A true MVP of the Toronto indie season, Prince Amponsah gave no fewer than three incredible performances in 2016- romantic quadriplegic Freddie in Safeword’s Contempt, enigmatic antihero Alistair in Storefront’s Hangman, and complex victim-turned-villain DeFlores in Desiderata Theatre […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Smart, detailed, and ambitious, Julia Matias has started to carve out a really interesting career as a performer, director and designer in Toronto by seeking mentorship from established artists and leaving a trail of excellent impressions in her […]
Toronto has some killer young actresses, a few of whom have found particularly big showcases in small productions currently on Toronto stages. Below are a few of note, in order of impact. Changeling; A Grand Guignol for Muderous Times (Desiderata Theatre Co.) There’s a lot to like about Harrison Thomas’ brutal and inventive production of […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. In 2012, George Brown theatre school grad Prince Amponsah’s apartment caught fire, his catastrophic burns resulting in three months in a coma and the amputation of both of his arms. In 2015, he returned to the stage in […]
A storm was supposed to be coming. Said forecast moved Desiderata Theatre Co’s production of Lot and His God from the Citizenry Cafe patio to its limited indoor space for one night only. Citizenry is too nice to really pass for the dilapidated Sodom cafe described in the text but, trapped inside with too many […]