Kelly Bedard

Truth be told right out of the gate, I don’t consider Billy Elliot a great musical. It’s a wonderful story, I’ll grant you that, but Elton John is capable of so much better than the derivative music he puts forward for this adaptation of the hit film. The choreography is lovely but the direction somewhat […]

  Kelly Bedard

After taking a “Music Through the Ages” class on Onegin with Clayton Scott last summer, I knew I’d be kicking myself if I didn’t see one of the National Ballet’s only eight performances of the ballet this June. Onegin is an extremely rarely performed piece, licensed to only a handful of companies around the world […]