This was my one true non-negotiable of the season. As You Like It is my favourite play and the math equation of this cast plus this director meant that the floor for this production was incredibly high. We have a joke around my house that “in Chris we trust”, a shorthand to remind us to […]
I don’t quite understand what happened here. This was my most anticipated production of the season- a small chamber piece from and featuring two of my favourite festival artists- but I’m fairly certain the show was pitched as an original (performers Marla McLean and Graeme Somerville are credited as “co-creators”), an intimate work crafted out […]
I wanted so badly to like this multi-disciplinary piece from the thoughtful duo of Devon Healey (writer/performer) and Nate Bitton (performer/co-director with Mitchell Cushman). The show is produced by their company Peripheral Theatre alongside unconventional space pioneers Outside the March and the National Ballet of Canada whose apprentices appear as a beautiful but confounding supporting […]
A very strong ensemble of some of Shaw’s (and Canada’s) best highlight this strange(r than usual) Will Eno show, an adaptation of Ibsen’s epic Peer Gynt that falsely claims you don’t need to know the original to follow along. You absolutely need to know the original in order to feel rooted at all in this […]
I’ve technically put the theatre review side of this site on hiatus while I take maternity leave but the prospect of completely missing out on Toronto Fringe made me too sad so I made myself a one-day sample platter of shows taking place in and around the new festival hub at Soulpepper’s distillery district venue. […]
The Second City Toronto’s 90th(!) revue opened last night to thunderous applause. The most nuanced show I’ve seen from the high floor company in awhile, Duel Citizens features a rare cast that’s evenly strong rather than leaning on a standout or two (they’re all returning from the 89th revue so the chemistry’s pretty in place). […]
I’ve been on Shifting Ground’s case since their debut, lecturing the ambitious and capable young company about their programming. The company’s early work, though proficient, felt too mature, like the company was simply doing their favourite shows with their friends rather than programming to their strengths. That all changed with The 25th Annual Putnum County […]
Though Karen Kain, Christopher Stowell, & Robert Binet’s choreography (after Erik Bruhn, Lev Ivanov, and Marius Petipa) is challenging and technical throughout the whole of the National Ballet’s overall excellent update of Swan Lake, the indoor passages lag with slow storytelling and traditional bow breaks that pause the action and break the fourth wall. It’s […]