Modern classical music is primarily a consort of the modern musical elite, with little to no basis in consumer demand. It is more often than not the product of a graduate thesis, or commissioned by an eccentric for equally eccentric ends. They Will Take My Island by Robert Martin is one such project. At this juncture I […]
The Toronto Symphony Orchestra is a sensational ensemble as a whole. Though its population (and, notably, its audience) is ageing, the vibrancy of music director Peter Oundjian’s baton keeps them at a performance level on par with their technical achievements. In the early February concert series featuring Beethovan’s Emperor Concerto and Shostakovich’s Symphony No. 10, […]