Three Tall Women It’s difficult to separate Stratford’s fine production of this enjoyable and alienating Edward Albee play from the experience of seeing it. A holdover from the cancelled 2020 season, Three Tall Women was the lone indoor performance in the Stratford 2021 season. It was staged in the intimate studio theatre with very little […]
Soulpepper and Bad Hats Theatre’s Alice in Wonderland (available to stream at home until Sunday, April 18) is a welcome detour into a world no more absurd than our own. Lewis Carroll’s classic is an ideal canvas for a creative mind – a story so popular that even this young audience will know it well […]
From December 26-29, Puppetmongers Theatre are celebrating the 30th Anniversary…
The safest compliment for art is that it knows who it’s for. Stratford’s roster in a given year mostly consists of sober, supposedly thoughtful pieces aimed at some cross-section of a reliable clientele: there will be something for the Shakespeare crowd, a high-concept work that tickles critics pink, and maybe a disappointingly rote dalliance with […]
After I saw Brigadoon, the Shaw Festival’s magical staging of a reimagined classic musical, I right away sat down to write about the experience. At least for me, the night I saw it, the mood I was in, Brigadoon was a fully contained theatrical moment about which I had plenty to say. Another staff writer […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Sanjay Talwar returned to the Shaw Festival in 2017 to play Joe Clark in one of two premiere productions of Michael Healey’s delightful political one-act 1979. A principled, glamourless, centrist conservative whose administration lasted less than a […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. The charming and candid Marion Day gave a lively, versatile slew of performances in The Shaw Festival’s awesome production of Micheal Healey’s new political comedy 1979, a short, tense, hilarious fictionalization of one key night in Canadian […]
Before we announce the winners of the 2017 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. I used to say that Kelly Wong was one of my favourite musical theatre performers in Canada (I complained in almost every Shaw Festival musical review that he didn’t have a bigger role) but in 2017 […]
The lush golden light of the Peter Pan set was a welcome contrast to the sharp cold evening we had rushed through en-route to the theatre, and the space itself served as a refuge from the busy Christmas Market (which Soulpepper ticket holders receive free admission to) surrounding the Young Centre for the Performing Arts […]
Rightfully branded as a family show, The Lorax is a feast for the senses, and enjoyable for adults and children alike. Straight from London’s The Old Vic, this stage adaptation (David Greig) is carefully directed (Max Webster) beat by beat, taking us on a metaphorical journey from industrialization to late capitalism. I believe this production […]
Pippi: The Strongest Girl in the World is a high-quality children’s musical theatre treasure. Set on a stylized pirate ship, produced in association with piratelife.ca, the immersive in – the – round experience also includes a short but pleasant harbour tour. Pippi, known for living by no one’s rules but her own, invites her friends […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. If you’ve been to the Shaw Festival in the last decade, you’ve probably seen the stunning Moya O’Connell play one of the great parts in the 19th/20th century canon- Hedda Gabler, Tracy Lord, Maggie the Cat, even the […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Energetic and engaged triple threat Peter Fernandes is one of the fastest rising stars out of the most recent graduating class at the Soulpepper Academy. He’s nominated this year as a key player in not one but two […]
Before we announce the winners of the 2016 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. Bad Hats Theatre Co-Artistic Director Fiona Sauder adapted (with Reanne Spitzer) and played the title role in Peter Pan, a new musical interpretation of the classic story that toured to breweries around the city in December and scored […]
Bad Hats Theatre’s all-new musical adaptation of Peter Pan is brimming with wonder and enthusiasm. Co-adapters Fiona Sauder and Reanne Spitzer have updated the tale to cure a few of its sorrier gender issues and speed up the pace. The excellent ensemble cast is vibrant and goofy without neglecting their characters’ emotional realities. And Landon […]
I love Seussical the Musical. I think it’s just about the cutest thing in the world, Ahrens & Flaherty’s songs are catchy beyond belief, and there’s more intellectual and emotional complexity in the storytelling than one might ever expect from such silliness. “A person’s a person no matter how small”, “tell yourself how lucky you […]
It’s tempting to criticize Peter Hinton’s new adaptation of Alice in Wonderland for its emptiness. There is no real story, no great moral, no particular meaning, not even a coherent character to invest in beyond Tara Rosling’s cute but fairly blank-slate Alice. That feels like a flaw of the production but, let’s just be honest, […]
Before we announce the winners of the 2015 MyTheatre Awards, we’re proud to present our annual Nominee Interview Series. After winning Best Actor in 2013 and Best Ensemble in 2014, we had to talk the always delightful Damien Atkins into joining the Nominee Interview Series a third year in a row. He feared the readers had had […]
Once in a while, there is nothing more pleasurable than feeling like a child again. This musical production of Red Riding Hood, written by Jake Brunger and Pippa Cleary, currently playing at the Pleasance Theatre, makes even the most serious of adults laugh and smile like children again. While it is a musical dedicated to […]
Young People’s Theatre’s new musical version of Jacob Two-Two Meets the Hooded Fang is fun and silly in perfect tune with the original book by Mordecai Richler, which marks its 40th anniversary this year. The new music by Britta and Anika Johnson is catchy and pretty, especially as sung by the excellent cast. My Theatre […]
Get lost down the rabbit hole, immerse yourself in the madness and enter the freakishly wonderful world of Alice. Hidden away in the Waterloo Vaults, a beautiful and unique experience has been created as Les Enfants Terribles explore Lewis Carroll’s timeless novel. Alice’s Adventures Underground is an interactive theatrical piece consisting of a maze of […]
The Iris Theatre’s Pinocchio is a show for children. That does not necessarily preclude an adult from enjoying it, but the adult in question will have to find the childish part of their brain (as long as it still exists). Pinocchio is a kid’s show because it is not layered: it does not entertain both […]
Before we announce the winners of the 2014 My Theatre Awards, we’re proud to present our annual Nominee Interview Series. Standing on a stage painted to resemble a giant piece of fruit, wearing a goofy green and orange ensemble and antennae, Stewart Adam McKensy never looked anything but dignified. In Young People’s Theatre’s Canadian premiere of a […]
Potted Potter (Starvox Entertainment/Potted Productions) In the second international tour of this two-man 70-minute reverential romp, creator/performers Dan & Jeff (Clarkson & Turner) are replaced by Ben & James (Stratton & Percy), who are essentially playing Dan & Jeff but are wisely called Ben & James. The new guys are plenty loveable and plenty enthusiastic […]
I woke up on November 27th 2014 at the age of 25. Now, as I sit drinking a Stella at a jazz bar in Kensington Market (Shafton Thomas Group, Thursday Nights at Poetry– you should go!) , I’m back somewhere near where I started. But for a few hours there in the middle- between 1 […]
I would be doing a disservice to the show if I only gave you an adult perspective of the new musical The Love Note. Perhaps I should co-author this review with myself at age 10. Theresa [28 years-old]: It is unheard of to attend a play at 10 am on a Sunday in New York […]