Theresa Perkins

New Yorkers have a strong affinity for Halloween festivities, with the Greenwich Village Halloween Parade drawing spectators from around the world annually. Come the end of October, New York City looks a bit like the Ghostbuster’s ghost containment facility got shut down, unleashing frights on Manhattan. Contributing to the eeriness, New York theatres begin to […]

  Kymberley Feltham

The fourteenth season of ProArteDanza, on November 1-4 at Fleck Dance Theatre, Harbourfront Centre, offered 3 World Premieres by choreographers Kevin O’Day and Matjash Mrozewski. This season’s offerings are resonate and current, boldly combining dance, text, and theatre with a self-assured confidence that is authentically relatable. Future Perfect Continuous  Inspired by Naomi Klein’s book This […]

  Kelly Bedard

With the help of some of the best and brightest Shakespeare fans in the world, we’re diving deep into 38 plays in 35 episodes (Henrys IV & VI only get one episode a piece; sorry, Bill). In every episode of The Shakespeare Series, I’ll be joined by a different guest (or guests) to discuss a […]

When it comes to boy bands, my Littrell-loving heart instinctively trusts a Brian. So when Backstreet Boys devotee Brian Jansen pitched a sketch comedy dance show about boy bands, I was as psyched as Joey Fatone on Dancing with the Stars (meaning pretty damn psyched). Before he and his heart-stealing comrades take over the 918 […]

  Lisa McKeown

Rouvan Silogix is angry about the state of the world, and very understandably so. And what better way to channel that anger than to create a farce about the contemporary political landscape? Silogix’s answer to that question is to create a surrealist vaudeville farce, gloriously entitled Grab ‘Em By the Pussy: Or How To Stop […]

  Amy Strizic

Dual Light is another success for choreographer and artistic director Andrea Nann. In such a wonderful time of exploratory art and experimentation with multi-media, I was honestly ready for a little bit of good ol’ fashioned dance. Nann delivered the insightful, creative, and technical dance I was looking for, but also surprised me with how […]

  Chris Behmke

Regeneration, just closed on Theatre Row but returning for one more performance on November 6th, is built upon what would seem to be sure-footing for interesting theatre: the high emotional stakes of a woman’s journey with breast cancer, and the life-shifting perspective that such a run-in with mortality can bring. The subject matter is emotionally interesting, […]

  Kelly Bedard

Described as “A Surrealist Vaudeville Farce”,  the fabulously titled “Grab ‘Em By the Pussy” or How to Stop Worrying & Love the Bomb is the troll-baiting, expectation-defying, ground-breaking new work currently taking over the TPM Backspace. We caught up with writer/director Rouvan Silogix to get a sense of what to expect from this second show in the […]