Curated by Taylor Hreljac & Gabe Meacher, Spotlight at Second City is a variety show and great opportunity for both veteran audiences and newbies to experience the wide array of sketch comedy in Toronto. With hosts described as “an amuse bouche”, the evening truly does feel like a satisfying multi-course meal with each act offering […]
For even the most dedicated of Shakespeare audiences, Troilus & Cressida is likely the great unknown. A behemoth 3+ hour text with a sprawling cast of characters and an epic, messy story that is literally the stuff of legends- there are lots of reasons why this is one of the canon’s least performed works. Lack […]
Incredibly acted and written in a way that is both engaging and unique, Obsidian Theatre Company and Tarragon Theatre showcase an honest, vulnerable, funny, painful and real look at relationships. Relationships are hard. I know, what a revelation, right? But it is true and that work can make or break people. It can create […]
A Fear And Loathing-esque road trip journey is elevated and driven by powerful and heartfelt performances for a story about friendship, history, love, and regret. D. Halpern’s story starts off with a return to nostalgia through camcorder video tapes. Well edited and shot by designer Seamus Easton, the beginning montage evokes feelings of past […]
Shrek the Musical (Young People’s Theatre) Young People’s Theatre’s production of Shrek the Musical is lean, green, and utterly joyful. It’s one of the biggest productions in the company’s 60-year history and that investment pays off with a strong ensemble, William Layton’s vibrant set design, and an overall high standard of production that could easily […]
Dissonant Species (written by Michel Gordon Spence and Heather Marie Annis) sings a story about trying to understand. Trying to understand music, trying to understand sound, trying to understand people. Like a jumbled up music sheet with various timings and key changes and sounds with no set patterns. It is a piece that drums an […]
When we watch Christoph Willibald Gluck’s Orfeo ed Euridice at the Canadian Opera Company, we are offered more than a simple narrative — we’re invited into a space of ritual and reflection. Christophe Gayral’s staging (originally conceived by Robert Carsen in 2011) evokes how I imagine an ancient Greek tragedy performed: stripped of excess, yet […]
Do not stop. Just go to see Laura Piccinin’s production of GO, a hike full of heart, comedy, and charm Full disclosure, I do not hike. As a city boy, my version of hiking is walking from Regent Park to Parkdale. However, even I can understand the appeal of hiking. The nature, the views, […]