For even the most dedicated of Shakespeare audiences, Troilus & Cressida is likely the great unknown. A behemoth 3+ hour text with a sprawling cast of characters and an epic, messy story that is literally the stuff of legends- there are lots of reasons why this is one of the canon’s least performed works. Lack […]
While slow to start, Make Banana Cry is an effective and uncomfortable use and showcase of the objectification, capitalist appropriation, and fetishization of what it means to be Asian. It’s not your typical fashion show. As you enter the space, you are encouraged to explore from your seat. To take in every detail of […]
Incredibly acted and written in a way that is both engaging and unique, Obsidian Theatre Company and Tarragon Theatre showcase an honest, vulnerable, funny, painful and real look at relationships. Relationships are hard. I know, what a revelation, right? But it is true and that work can make or break people. It can create […]
The National Ballet of Canada’s 2025/26 season is off to a strong start with a pair of contrasting productions that showcase the company’s range and up-and-coming stable of talent, though one is far more inspiring than the other. First at bat was what’s sure to be the season MVP (I saw it the night […]
The Musical Stage Company’s Uncovered series is a staple on Toronto stages. Each instalment of the theatre-y concert/concert-y theatre fundraiser famously reinterprets a different massive artist (or artists)’s songbook with the help of big name and up-and-coming talent. The central recipe still works: great singers (at least a couple each year who are too big […]
Dissonant Species (written by Michel Gordon Spence and Heather Marie Annis) sings a story about trying to understand. Trying to understand music, trying to understand sound, trying to understand people. Like a jumbled up music sheet with various timings and key changes and sounds with no set patterns. It is a piece that drums an […]
The trouble with adapting most children’s books is that they are very light on plot. Niagara’s Carousel Players’ two-person production of Where the Wild Things Are (originally adapted for the stage by TAG Theatre in Glasgow) suffers from this problem- it’s only 65 minutes long and still feels like they’re filling for time. What felt […]
I’ve technically put the theatre review side of this site on hiatus while I take maternity leave but the prospect of completely missing out on Toronto Fringe made me too sad so I made myself a one-day sample platter of shows taking place in and around the new festival hub at Soulpepper’s distillery district venue. […]