Click Here to read all our reviews from Toronto Fringe 2024. Gringas (A-) Funny, thoughtful, and executed with precision and passion, this ensemble work about a group of young Latinas sent to a Muskoka camp to work on their Spanish is one of the Fringe’s strongest new plays. No one works harder than teenage theatre […]
Click Here to read all our reviews from Toronto Fringe 2024. Rat Academy (A) Crystal clear dramaturgy, impeccable character work, and impressive technical skill mark this clown duet about endangered Albertan rats as a can’t-miss oddity. Honouring the heart of clown tradition with a classic White/Auguste pairing, Katie Yoner and Dayna Lea Hoffmann’s Fingers […]
Just like this play, I will be heading to the Edinburgh Fringe Festival in August. There, I will indulge in a series of new writing and experimental pieces, exploring the untapped and even the mundane. The productions might be bare-boned, but they are always fuelled by the desire to create and to challenge. I have […]
Designed to be performed as a three-piece bill but able to be pulled apart and presented in pieces, George Balanchine’s Jewels is a clever and beautiful work (set of work?) that showcases the full company of the National Ballet of Canada from the dancers to the designers to the orchestra through three distinct styles and […]
Obsidian’s production of seven methods of killing kylie jenner by Jasmine Lee-Jones finishes their 23-24 season at Crow’s Theatre on a strong note. Twitter, like many social media platforms, flattens out the three-dimensionality of users. This production, by contrast, breathes life into the world behind a series of seemingly violent tweets. Lee-Jones’ play tells […]
Diana Bentley marks her final act in a decade as “co-Chief Engineer” at Coal Mine Theatre (with her husband and fellow co-founder Ted Dykstra) by stepping into a coveted and challenging leading role for even the most accomplished actress. That creative partnership has allowed Bentley and Dykstra to chase their professional goals and helped Coal […]
Medea (Canadian Opera Company) Set to a broody and demanding score by Luigi Cherubini with Carlo Zangarini’s Italian libretto translation, the COC’s ambitious new co-pro mines Euripides’ iconic tragedy for every ounce of its delicious melodrama and winningly rejects pressure to impose important modern meaning upon the disturbing tale. A twist ending that sees the […]
Woking Phoenix (Silk Bath Collective & Theatre Passe Muraille) Anchored by an incandescent performance from Phoebe Hu as a single mom trying to raise three kids while running a small town’s only Chinese restaurant, Woking Phoenix is a delicate and moving tribute to immigrant parents, created by Silk Bath Collective and currently onstage at Theatre […]