Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    At the Table with Keith Brown (A) I hate to be tricked but I love hyper-specific skills that can only be mastered with good old fashioned decades of practice. So magicians often present a bit of a problem for me. What works […]

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    Clip Show (A-) Jon Blair is one of the most creative minds in Canadian comedy. His joyful, thoughtful, outlandish style is so uniquely his own that his solo shows have begun to take on an almost auteurish quality. Building out this latest […]

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    2 Robs, 1 Cup: What Happens When You’re Done Eating Shit? (A) I was grateful for Fringe’s masking policy when I saw this atrociously named solo show from the ever-inspiring Vikki Velenosi. The true story opens with a voicemail so shocking that […]

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    Unmatched (A) This clever piece presents itself at first like a pretty standard storytelling show wherein a comedian regales us with true tales of their less-than-stellar dating history. Caity Smyck is a compelling performer who connects with the audience instantly so I […]

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    Gay for Pay with Blake & Clay (A-)  In Gay for Pay, noted gay actors Daniel Krolik & Jonathan Wilson play less noted gay actors Blake and Clay who are teaching a seminar to straight actors aspiring to play gay roles. It’s […]

  Kelly Bedard

More reviews from the Toronto Fringe Festival! Featuring Sketch T-Rex,

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    There are, generally speaking, two types of truly great Fringe productions. The first is a perfectly executed version of something designed for a Fringe setting- really impactful solo shows, hyper-timely parody, brilliant sketch, that particular type of indie new work that thrives […]

  Kelly Bedard

Click Here for a full list of our 2022 Toronto Fringe reviews.    Sleeping, Tucked in the lonely Purple (B+) Conceived and choreographed by Yvonne Ng, this tender three-hander is a lovely inquiry into what we don’t hear when we stop listening. The choreography is simple but evocative, performed beautifully by a trio whose dance […]

  Kelly Bedard

The return of the in-person Toronto Fringe Festival is something I’ve been looking forward to pretty much every day for the past two years. Over the course of 8 days, I reviewed 40 shows. Click the titles below for the full reviews.   In Alphabetical Order:   2 Robs, 1 Cup: What Happens When You’re […]

  Alexander Franks

It is good to be fringing again! I first want to take this opportunity before I dive into the reviews to express my gratitude, respect and thanks to everyone involved with the Toronto Fringe this year from the artists to admin to box office just everyone. It has been a long and hard road adjusting […]

  Rachel Ganz

What Are You Supposed to Be? (All Day I Dream About…Theatre) What Are You Supposed to Be? is an experimental comedy currently running at the 2021 Toronto Digital Fringe Festival. As a collective creation, this piece explores a tense, mysterious conflict in a world of challenging characters. The story follows Leah, a novelty birthday party princess […]

  Rachel Ganz

In Transit (Von Hunt Productions)  In Transit is a contemporary dance film, presented as part of the 2021 Toronto Digital Fringe Festival. Creator, choreographer and performer Alayna Kellett has devoted years of research to this piece and it’s paid off in a robust work of graceful emotion. In Transit follows one woman’s imperfect path beyond […]

  Rachel Ganz

The 2021 Digital Toronto Fringe takes place July 21-July 31 with over 65 shows and nightly communal events, including a digital Fringe Tent. I sat down with Lucy Eveleigh, executive director of the Toronto Fringe Festival, to chat about digital theatre, inclusive programming, and the future of Fringe culture.   The 2021 Digital Toronto Fringe […]

Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Michael Ross Albert is one of my favourite playwrights full stop; the fact that he’s local, indie, and extremely prolific is just a bonus. His Best New Work-nominated play The Huns, a blistering three-hander about a […]

  Duncan Derry

Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. Jake Epstein is a Toronto-born actor and singer whose work has ranged from iconic Canadian TV (Degrassi: The Next Generation) to the Broadway stage (taking over the titular role in the much-written about Spider-Man: Turn off the […]

  Kelly Bedard

Before we announce the winners of the 2019 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. One of my favourite productions out of the 2019 Toronto Fringe Festival was Gillian Bartolucci’s Outstanding Solo Performance-nominated one woman sketch show The Weight of it All. Beautifully constructed with a perfect blend of high-octane fun, clever […]

  Kelly Bedard

I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]

  Kelly Bedard

I was so excited to find myself in Vancouver during the Fringe Festival this fall (it’s crazy that there are still Fringe Festivals happening once it’s officially “fall”). Having covered the Toronto leg of the epic Canadian indie theatre circuit for years, I was curious to see how things compared out on the west coast. […]

  Kelly Bedard

Take a look at our full list of 2019 Fringe reviews HERE. Emotional Labour (A) Written and performed by Jess Beaulieu and Luis Fernandes, this clever two-hander about the division of labour, both emotional and physical, in modern relationships is devastatingly relatable. It’s not subtle, but I fear if it were any more subtle it would […]

Take a look at our full list of 2019 Fringe reviews HERE. Off the bat, because all our other Fringe reviews have letter grades right beside the title, let’s get this out of the way and just say The Huns is getting an A. But read on for too much explanation of why that grade doesn’t quite […]

  Mark Kreder

Take a look at our full list of 2019 Fringe reviews HERE. I, Malvolio (B+) Justin Otto’s performance in I, Malvolio is powerful. If you can take anything away from this review, let it be that. Otto demands the audience’s attention from the moment they enter the room. There is an air of chaos about Otto’s […]

  Amy Strizic

Take a look at our full list of 2019 Fringe reviews HERE. Omen: The Musical (A) This modern witchy musical about a post-climate change (aka post-apocalyptic) world is eerie and enchanting. All three protagonists are individual and well developed. The musical direction of the show is consistent and unique. The setting and concept of the show […]

  Kelly Bedard

Take a look at our full list of 2019 Fringe reviews HERE. Fuckboys the Musical (B) I quite liked this sassy American import featuring a cast of a bunch of standout women and a couple forgettable men. It’s too long and the storytelling is pretty muddled as the show attempts to service four main characters while […]

  Dom Harvey

Take a look at our full list of 2019 Fringe reviews HERE. Death Ray Cabaret (A-) Second City stalwarts Jordan Armstrong and Kevin Matviw bring a wonderful verve to their free-wheeling Fringe show. Partners on and off the stage, the pair have a fun and easy dynamic that lets them skip between sketches without missing a […]

  Kelly Bedard

Take a look at our full list of 2019 Fringe reviews HERE. The Weight of It All (A-) Gillian Bartolucci’s latest solo piece plays out more like a one-woman sketch show than a straightforward narrative. With a captivating mix of exuberant energy and relatable exhaustion, Bartolucci jumps between characters, styles, gimmicks, and perspectives as she touches […]

  Mark Kreder

Take a look at our full list of 2019 Fringe reviews HERE Til Death: The Six Wives of Henry VIII (B) The first thing that comes to mind when I think of Til Death is how impressive Tara Travis’ stamina is. Seven characters. One actor. It’s a feat, that’s for sure. Travis jumps, rolls, moves across […]