Some uncomfortably personal context: I just had a kid. Attempting to be realistic about the amount of time this website takes to run, I was planning to start maternity leave right around now and cut theatre reviewing from our coverage entirely for the rest of the year. But, when my son arrived two months early, […]
Before we announce the winners of our 2024 Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series. This is playwright Nick Green’s second year in a row with season-stealing plays in both our Outstanding New Work and Outstanding Production categories. After last year’s triumphant Casey & Diana, Nick did it again with Dinner […]
Last Landscape (Bad New Days in association with Common Boots Theatre at Buddies in Bad Times through Jan 26) The surface joy of this inventive and thoughtful piece allows the audience a meditative break from the noise of the modern world. Almost entirely wordless, Last Landscape sees a company of five labourers use the detritus […]
The past few weeks in Toronto theatre featured a range of works that at their core all touched on similar themes despite their vast superficial differences. In tense, inflationary times, these four pieces examined how financial pressures can bring out the best and worst in all of us. Most explicit on this topic was […]
Theatre As fall formally begins and the major Toronto theatre companies launch into their 2024/25 seasons, two star-studded and atmospheric tragedies take centre stage. Each directed by their host company’s reliably inspiring artistic director, Crow’s Theatre’s Rosmersholm (Chris Abraham) and Buddies in Bad Times’ Roberto Zucco (ted witzel) both offer short but heady translations […]
Obsidian’s production of seven methods of killing kylie jenner by Jasmine Lee-Jones finishes their 23-24 season at Crow’s Theatre on a strong note. Twitter, like many social media platforms, flattens out the three-dimensionality of users. This production, by contrast, breathes life into the world behind a series of seemingly violent tweets. Lee-Jones’ play tells […]
Three Sisters (Soulpepper & Obsidian Theatre Company) For Inua Ellams’ adaptation of Three Sisters set during the Nigerian Civil War, two of Toronto’s most prestigious theatre companies and acclaimed director Mumbi Tindyebwa Otu (also the Artistic Director of Obsidian, one of said prestigious companies) have assembled the all-starriest of all-star casts, bringing together an incredibly […]
Don Giovanni (Canadian Opera Company at the Four Seasons Centre) The COC’s new production of Don Giovanni replaces a much more casual, modern version that I loved but few others seemed to. In its place is a more conventional take with period costumes and the hulking cube set from Fidelio repurposed with doors in place […]