I’m picky when it comes to holiday traditions- the market is too crowded, turkey is dry, and I really think George Bailey needs to learn to control his temper. But I very quickly attached to the tradition of the Shaw Festival’s Christmas Carol + festive musical two-show day. Throw in a stroll down Niagara-on-the-Lake’s picturesque […]
The National Ballet of Canada’s 2025/26 season is off to a strong start with a pair of contrasting productions that showcase the company’s range and up-and-coming stable of talent, though one is far more inspiring than the other. First at bat was what’s sure to be the season MVP (I saw it the night […]
During the COVID-19 lockdowns, to deal with isolation and lack of live theatre, we started gathering some of our favourite people every Tuesday & Saturday night to read scripts over Zoom. We read all 38 Shakespeare plays in six months. Then we kept going. We decided to create mini-seasons featuring highlights from the canons of […]
We’re still physical media devotees round these parts with lots of room in our hearts and on our shelves for DVDs, Blu-rays, and even the occasional VHS (an old beat up copy of The Truman Show and our trusty VCR recently rescued a social event when rain ruined our outdoor screening). In that spirit, we’re […]
Shrek the Musical (Young People’s Theatre) Young People’s Theatre’s production of Shrek the Musical is lean, green, and utterly joyful. It’s one of the biggest productions in the company’s 60-year history and that investment pays off with a strong ensemble, William Layton’s vibrant set design, and an overall high standard of production that could easily […]
The Musical Stage Company’s Uncovered series is a staple on Toronto stages. Each instalment of the theatre-y concert/concert-y theatre fundraiser famously reinterprets a different massive artist (or artists)’s songbook with the help of big name and up-and-coming talent. The central recipe still works: great singers (at least a couple each year who are too big […]
The trouble with adapting most children’s books is that they are very light on plot. Niagara’s Carousel Players’ two-person production of Where the Wild Things Are (originally adapted for the stage by TAG Theatre in Glasgow) suffers from this problem- it’s only 65 minutes long and still feels like they’re filling for time. What felt […]
