Kelly Bedard

Before we announce the winners of the 2023 MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.   A standout in two different productions this year, Outstanding Performance (Musical) nominee Melissa MacKenzie was one of the great discoveries of our 2023 Ontario Theatre Tour which brought us to theatre towns we’d never visited […]

  Kelly Bedard

Holiday! (Bad Dog at The Assembly Theatre) I made it out to Bad Dog Theatre Company’s Comedy on Queen Festival at The Assembly Theatre for one night only, to see an improvised musical based on Sondheim’s Company. With a rotating cast featuring more than a few favourites, I knew it wasn’t one I wanted to […]

  Kelly Bedard

The Nutcracker (National Ballet of Canada) The National Ballet of Canada’s production of The Nutcracker is unlike a lot of other versions in its aesthetic but ultimately suffers the same pitfalls. Santo Loquasto’s Russian-inspired set and costume design is very beautiful though a few visuals, particularly around some of the more culturally specific aspects, are […]

I enjoy the examination of time on stage. Of course, all theatre considers time – in its pacing, and how it weaves certain moments to tell a specific story. It is also intriguing how time and circumstances shape our experience of a production. I should note that for this review, I came in having already […]

Fiddler on the Roof is a marvel of a musical: classic yet poignantly evergreen with a book as funny as it is devastating, packed with great roles (especially for women; imagine such a thing!) and endless musical earworms. If you haven’t seen it live in awhile, or ever, it’s easy to think of Fiddler as […]

  Kelly Bedard

London’s Grand Theatre is a crown jewel in the non-Toronto Ontario theatre scene. The historic Spriet Stage is a gorgeous venue that hosts an ambitious and well-balanced season of crowd pleasers while the company’s secondary space, the versatile Auburn Stage, allows the company some much-needed creativity with slightly more daring programming. The Grand has an […]

Coming into this show, I didn’t quite know what to expect. Reading the synopsis, I didn’t see how the concept related to the real Billy the Kid (which the title clearly alludes to), and the poster’s allusion to the trans pride flag completely went over my head. But I came out thoroughly impressed. Gez Mercer and […]

  Kelly Bedard

A lot is changing in Ontario theatre lately, nowhere more than in the musical theatre landscape. With commercial companies expanding both in and out of Toronto, exciting initiatives supporting the creation of new works, and a fresh generation of artists emerging, it seems that musical theatre is the next frontier for an area that has […]