Caroline Schurman-Grenier

The whole theatre/pub culture in London is pretty fantastic if you ask me. The first time I attended a performance in one of these venues, I was so amazed by the city’s determination to have quality theatre in as many places as possible. Given that the King’s Head Theatre is the oldest theatre/pub in London, […]

  Caroline Schurman-Grenier

Am I the only person who actually enjoys clichés once in a while? I mean, not every production is the most inventive but is that really the worst thing? When your job title is “critic” it can be difficult to just…. enjoy. Old Red Lion Theatre’s production of Benighted reminded me that sometimes a cliché […]

  Caroline Schurman-Grenier

Patricide is not a subject many people wish to tackle, especially not in the confines of the theatre. Thebes Land tells the story of a man, who calls himself T, writing a play about a patricide named Martin. The show encompasses both the interviews between Martin and T and the rehearsals leading up to the […]

  Caroline Schurman-Grenier

Putting Voltaire on stage is a difficult task: it is easy to think of the philosopher’s work as too sophisticated for musical adaptation. Bernstein and Wheeler’s version of Candide attempts to make the timeless story more approachable—almost too much so. While it follows the original storyline very well, it sometimes fails to have the same […]

  Caroline Schurman-Grenier

The Belarus Free Theatre has taken on a challenge by putting on Tomorrow I was Always a Lion. Portraying mental health onstage, especially schizophrenia, is no easy task. Because many people do not know how to address the issue, it can be a little overwhelming to go see a play that is entirely centered on […]

  Caroline Schurman-Grenier

If there is one subject that makes most people uncomfortable, it is that of homelessness. Rare are those who stop and speak to homeless men and women on the street, let alone go see a play about it. Although it may feel uneasy at first, Cuckoo Bang’s Choosers, written by Holly Mallett, does an excellent […]

  Caroline Schurman-Grenier

If it takes seven people to tell a story, you hope it’s a good story. Luckily, The Ritual Slaughter of Gorge Mastromas is a good story and a gripping performance. At the start of the production, the audience is tremendously confused. There is a guy named George who had bad luck in love and in life, but […]

  Caroline Schurman-Grenier

Second World War stories always seem to be crowd-pleasing, bringing in elements of tragedy, violence, treason and, in this case, …